Earth, Wind & Fire’s Larry Dunn to jam with Jazz Giants Jon Barnes and Theresa King at the Catalina Club, Hollywood

Music Master Jon Barnes to rock the house with Earth, Wind and Fire’s
Larry Dunn and Theresa King at the Catalina Jazz Club Oct. 1.

Earth, Wind and Fire’s Keyboardist Larry Dunn to perform
at the Catalina Club, Tuesday night, Oct. 1 with Jon Barnes and
Jazz Singer Theresa King.
 
 
Jon Barnes, who played with Arturo Sandoval and Kool and the Gang’s former lead Singer Skip Martin at the club and on tour in Europe returns Tuesday night for a one night blast of Jazz music
Hollywood, CA – Jazz Giant Jon Barnes teams up with Earth, Wind and Fire’s Keyboardist Larry Dunn Tuesday, Oct. 1, 2013, Catalina Jazz Club. Tickets are $25. Barnes will also take the stage with smooth Jazz Singer Theresa King for a one night performance at the legendary music venue.
Barnes recently performed at the Catalina Jazz Club (Aug. 2-3) with Arturo Sandoval and Skip Martin (Kool and The Gang former lead singer).The jazz trio performed at the daCarbo Jazz Festival this summer  The European tour was also filmed as a possible upcoming documentary.

 

Jon Barnes with Arturo Sandoval (right) at the Catalina Club.
“I’m excited and living a dream to have the chance to play with such talented jazz and hit music masters as Sandoval, Martin and Theresa. And now from Kool and the Gang fame, I’m teaming up with the legendary Earth, Wind and Fire’s keyboard man Larry Dunn, so it don’t get any better,” he said.
Barnes recently produced and performed music on the new album, the first in 12 years by Earth, Wind and Fire entitled, “Now, Then and Forever.”
“>Jon Barnes composes music and performs on Earth, Wind
and Fire’s latest album, Now, Then & Forever.

For the full story visit:

 

 

Angel Entertainment Foundation Reaches Out To Help Abused Children and Entertainment Pros Heal: Breaking the Cycle of Abuse

Los Angeles, May 11, 2010 – Angeles Entertainment Foundation, a non profit organization that encourages self-expression through all aspects of film, video and music production is kicking off a fundraising “Operation Launch Party” this

Wednesday, May 12, 2010, 6:30 p.m., Aqua Lounge, 424 Beverly Blvd, Beverly Hills, CA, 91210.

“I look forward to meeting everyone on the red carpet and to a great event in Beverly Hills,” said President Michelle Lovetro, CEO at Soaring High Productions and Film Investments. “Just a few months after our last Event Angel Entertainment Foundation has made big strides towards the ‘Launch Party’.”

The celebrity event will spotlight Carmina Salcido, Sonoma, CA, who 20 years ago survived her father’s murderous rampage that left seven family member dead and was featured on ABC’s 20/20 program. She talks about her life since then in her new book ‘Not Lost Forever’, of which she will autograph at the event.

Angel Entertainment Foundation is an organization devoted to teaching abused and troubled youth from the age of 10 to 18 the art of film making, video and music production. “

“We use these expressive disciplines as a way to heal the soul and provide a positive environment for struggling youth to communicate their feelings,” explained Lovetro . “This is done in a supervised environment, and we do have counselors on staff.”

Lavetro works in conjunction with Soaring High Entertainment Co-Op, so they can provide professional instruction utilizing people that have had years of experience in the industry. They also provide labs in acting, script writing, direction, set design, musical scoring, basically anything to do with production.

Angeles Entertainment Foundation  Goals:

1. Give the youth a sense of identity. Often with abuse kids lose their self esteem, turn to outside negative influences to cope. Through the performing arts they gain it back and feel they have value. Expression through creativity has been proven to be a positive form of therapy.

2. Give the youth a safe place where they can interact and build social skills.

3. To use the performing arts to teach valuable life skills, give them the opportunity to enjoy the feeling of success, the courage and motivation to reach for their dreams.

Guests invited and expected at Wednesday’s event include:  the cast of “Gravity”, Jon Harrison Taylor, Son of R&B legend Johnny Taylor, Chloe Jordache, who just released her CD. Other up and coming artist are included in line up.

Angeles Entertainment Foundation  has also partnered with Safe Passages and A&G Entertainment Productions.

Angel Entertainment Foundation has put together a proven, experienced and diverse team of seasoned practitioners. The Angel team is spearheaded by long-time therapist Dr. Kandis Blakely.

“It is our goal to train other mental health counselors and therapists in her proven NDT ‘New Decision Therapy’ that she has had great success with in several countries. Breaking the cycle is all about healing traumatic events in peoples past,” said Lovetro.

“We are a compassionate, passionate foundation ready to help damaged children and it is our goal to build awareness and grow year by year as a motivator of other foundations and non profits, not to just meet the children’s enrichment needs but also their mental and emotional needs,” she said.

“Most importantly today’s economy, non profits are struggling to stay in operation and I feel a collaborative effort will keep us all strong so the work may continue,” said Lovetro. “It is my goal at this time to have an all day concert inviting other non profits to participate in creating awareness to programs available to children who want enrichment as well as healing.”

For more information on Angel Entertainment Foundation, please visit: www.angelentertainmentfoundation.org

[Editors: For media interviews contact Aida Mayo or George Mc Quade 818-340-5300 or 818-618-9229]
or visit: www.MayoCommunications.com

Electronic Press Kits (EPKs) – All you’ll ever need to know for movie marketing, music marketing & Book Authors


EPK Experts

The Digital Age Makes EPKsAffordable

An electronic press kit (EPK), the electronic form of traditional press kits used by writers and reporters have become more affordable, but you need to follow protocol and the rules of engagement according to an expert panel at a recent (12-10-09) Entertainment Publicists Professional Society (EPPS) media workshop sponsored by the International Cinematographers (ICG) Union Local 600 in Hollywood.

On-Demand and Online cost sharing has brought the prices down. “The costs really depends upon the distributor and what they’re resources are as they can run from a couple of thousand dollars to 100-Thousand said,” David Naylor, president, The DVD Group, LA.

“The notification of movie distribution comes partly from studios, EPK vendor and the publicists themselves. It is more profitable to have everything in one group getting a better bang for your buck,” he said.

“There’s more outlets out there and if you are hiring the right people, where an author and book tour, they are shooting the stuff that people are going want to see and outlets are going to play.”
Naylor talks about what goes into an electronic press kit.

An EPK takes the form of a CD or DVD, an e-mail, an e-mail, or a flash-drive

In the 80’s and 90’s it was expensive and satellite feeds didn’t work too good. Today instead of putting a postcard with a hard copy of the video many are upload to a server.

Reba Merrill

“My first movie ‘Cujo’ (1983 thriller movie that freightened dog owners) one piece Warner Bros costs $25,000,” said Reba Merrill, Reba Merrill Associates, Inc., an Emmy award-inning producer and Cable ACE nominee. Three movies she worked on in in the old days earned her, “$130,000,” a profit of $13,000. “It was mass appeal, I did four pieces and I got $40,000,” she said. Merrill says what has changed is the distribution and formats thanks to the digital age. Snail mail with postage cards and video tapes have been replaced Online marketing and servers.

The panelists agree that for the web it should be around 1-3 minutes, otherwise 1-5 minute pieces that highlight the very specific part of the film, whether it’s talking to the director, or about a very big stunt of the day, or certain action in the film. “You know there are social networks that have groups that deal more with various aspects of it,” said Dovlin. “I just did a mixed martial arts film, and most of my marketing and outreach to getting it to these sites people never heard of.”

“If I’m working with someone who’s got a literary property and they’re trying to promote the author and the book we’re working in concert with a notification and distribution teams to promote both,” said Rod Dovlin, The Cannery. “You are working with who’s ever hiring you to do the EPK and studio publishing house, and building the budget is really where the ground work comes in.”  

Different strokes for different folks

“Obviously everyone still loves to see their properties end up on big syndicate TV shows like Extra, Access and Entertainment Tonight (ET),” said Dovlin. “But for certain people I’ve worked, like one of the world’s largest video game manufacturer, and they put out a skateboarding video, they’re not as concerned about getting their skateboarding video on ET as they getting it on ESPN or getting X Games opposite of ESPN.”

It’s getting the right EPK length and out to the right people

EPPS EPK Experts

“I think the more you try to push and deliver goods that really look like you’re trying to really push that movie can be rejected,” said Mark Herzog, president/CEO, Product Entertainment, Inc. “Just get word of mouth spread is what you really want out of social networking.”

The evolution of TV network broadcasts to cable and Online changes playground –The Digital Age Impacts Distribution

The verdict is still out of format changes behind the scenes, too. “I’m more concerned about getting the best footage I can for an EPK,” said Brian Dzyak, EPK Cameraman and author of “What I Really Want To Do On Set In Hollywood,” a guide to every real job in the film industry. “I’m still using HD cameras and mixing managing media on the set, which isn’t the best method, but the bigger challenge is managing the media afterwards,” said Dzyak.

Dzyak says sometimes movie directors will get away with having an assistant shoot some scenes in HD, but you can spot them a mile away.  

Craig Boyd

“Media management on the set can be a  real problem, because sometimes the  cameras used are better quality than the movie cameras,” said Producer Craig Byrd, Mobscene Creative + Productions. “The idea for us is to shoot the best possible quality that we can. “If the EPKJ was shot on standard def (definition), because they (the client) wanted to save money, it can come back to bite you if you have to distribute the EPK in high def. That’s why as an agency we try to sit down and look at every possible outlet.”

All the panelists prefer email pitches:
David Naylor:
david [at] thedvdgroup.com
Reba Merrill:
Reba[at]rebamerrill.com
Rod Dovlin:
r.dovlin[at]  cannery.com
Mark Herzog:
info [at] herzocompany.com
Craig Byrd:
Craig [at] cannery.com
Brian Dzyak:
bjdzyak [at] aol.com